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Thursday, October 20, 2011

Doctor Who Review - Episode 6x12: Closing Time



Dialogue Triumphs

The Doctor: “Oh, you’ve redecorated! I don’t like it.”

Craig: “It’s a different house. We’ve moved.”

The Doctor: “Yes, that’s it!”

***

The Doctor: “Craig, mind Yappie!”

Craig: “What?”

The Doctor: “Yappie! The robot dog… not as much fun as I remember.”

Dialogue Disasters

The Doctor: “Whoever you are, get off this planet!”

***

The Doctor: “Yes, he likes Alphie, but personally he prefers to be called Stormageddon, Dark Lord of All.”

Craig: “Sorry, what?”

The Doctor: “That’s what he calls himself.”

Craig: “How do you know that?”

The Doctor: “I speak Baby.”

***

Craig: “The Cybermen… I blew them up. I blew them up with love.”

Double Entendres/Sexy Talk

The Doctor: “Just keep looking at me, Craig, right at me, just keep looking.”

Craig: “Why?”

The Doctor: “Because… because… because I love you.”

Craig: “You love me?”

The Doctor: “Yes, Craig, it’s you, it’s always been you.”

Craig: “Me?”

The Doctor: “Is that so surprising?”

Craig: “Doctor, are you going to kiss me?”

The Doctor: “Yes, Craig, yes I am. Would you like that? I’m a bit out of practice, but I’ve had some wonderful feedback.”

The Review

The Doctor stops by to visit his old roommate, Craig (from last season’s hilarious episode, “The Lodger”), who is now married and a father. Craig immediately suspects that there is more to the Doctor’s visit than meets the eye, and his suspicions are confirmed when he discovers the Doctor investigating a series of disappearances surrounding a nearby department store. Together, Craig and the Doctor find out that a group of Cybermen have been slowly converting the staff of department store in order to help repair their ship, which had crashed and been lying dormant underground for years. Now the pair must figure out a way to stop the Cybermen from taking over the world… or at the very least this department store.

As mentioned before, this episode is a follow-up to last year’s surprisingly delightful, “The Lodger”. However, I found this episode to be severely lacking in the natural charm that made the “The Lodger” so enjoyable. The Doctor’s goofy interactions with Craig worked so well because the Doctor was totally out of his element. This time around, everything feels so forced, as if the writer is trying to recreate the magic of “The Lodger” without really understanding what made that episode so good. Strange, considering Gareth Roberts did write “The Lodger”. I don’t know, this episode just feels so much more madcap and silly than the last one, and not necessarily in a good way. A lot of the humor fell flat, or was just painfully awkward to watch (such as the Doctor's faux "seduction" of Craig in order to distract him from an approaching Cyberman, which made no sense, and was just... weird). Although, I will admit, I was a little nervous for Craig when he nearly gets “assimilated” into the Cybermen collective.

There’s just not very much to like about this episode. The plot is pretty average, and I have never cared for the Cybermen, old or new. Besides, it’s pretty clear that the Cybermen story is just a backdrop to set the stage for Craig and the Doctor having another zany adventure together. It was nice to see the return of the “Cyber-Mats” from the old series (little cybernetic worm things that Cybermen use as reconnaissance/saboteurs). I can see what the point of the episode was supposed to be – one last stop for the Doctor to make before confronting his demise, and one last stop for wacky fun before the series goes back into heavy drama. Nevertheless, it was executed somewhat clumsily for my liking.

Next time... The Wedding of River Song:


Thursday, September 29, 2011

Doctor Who Review - Episode 6x11: The God Complex




Dialogue Triumphs

The Doctor: “They’re not doors, they’re walls – walls that look like doors. Door walls, if you like, or ‘dwalls’ – walls even, though you probably got it right when you said they’re not doors. I mean the windows are… (Pulls curtains to reveal brick wall) …right! Big day for a fan of walls!”

***

Rita: “It’s not just that. The rooms have… things in them.”

The Doctor: “Things? Hello! What kind of things? Interesting things? I love things, ask anyone!”

Rita: “Bad dreams.”

The Doctor: “Well, that killed the mood.”

***

Rita: “It’s no more ridiculous than Howie’s CIA theory, or mine.”

The Doctor: “Which is?”

Rita: “This is Jahannum.”

The Doctor: “You’re a Muslim!”

Rita: “Don’t be frightened.”

The Doctor: “Ha! You think this is Hell?”

***

Amy: “Don’t talk to the clown!”

***

Rory: “Not all victories are about saving the universe.”

***

Rita: “Why is it up to you to save us? It’s quite a God complex you have there.”

The Doctor: “I brought them here. They’d say it was their choice, but offer a child a suitcase full of sweets, and they’d take it. Offer someone all of time and space, and they’d take that too. Which is why you shouldn’t… which is why grown ups were invented.”

***

The Doctor: “I can’t save you from this. There’s nothing I can do to stop this.”

Amy: “What?”

The Doctor: “I stole your childhood, now I’ve lead you by the hand to your death. The worst thing is, I knew – I knew this would happen. This is what always happens. Forget your faith in me. I took you with me because I was vain, because I wanted to be adored. Look at you… glorious Pond, the girl who waited for me. I’m not a hero. I really am just a mad man in a box, and it’s time we saw each other as we really are. Amy Williams, it’s time to stop waiting.”

***

Amy: “Even so, it can’t happen like this, after everything we’ve been through Doctor... everything. You can’t just drop me off at my house, and say good-bye, like we shared a cab.”

The Doctor: “And what’s the alternative? Me standing over your grave, over your broken body, over Rory’s body?”

Dialogue Disasters

N/A

Double Entendres/Sexy Talk

N/A

The Review

The TARDIS lands in what appears to be a replica of a hotel from the 80s. The Doctor, Amy, and Rory meet with a disparate group of people who have been transported to the hotel from different timezones and planets. The hotel is quickly revealed to be more than meets the eye after it swallows up the TARDIS within its constantly changing, mazelike hallways, leaving the Doctor and his companions trapped along with everyone else, and at the mercy of a mysterious creature who seems to pray on people’s fears, before possessing them, and then killing them one-by-one. It’s up to the Doctor to find a way out of the maze before he, Amy, and Rory are next on the menu.

It’s episodes like this where Doctor Who is truly at its best – when the Doctor is thrown into a mystery that even baffles him for a time, before he finally figures it out… but not after a considerable death toll. I’ve never liked how previous showrunner Russell T. Davis, and now Steven Moffat, would get into the habit of portraying the Doctor as some kind of omnipotent being who never loses a confrontation, nomatter how poor the odds. That was the most interesting feature of the episode “Water of Mars” – for once, the Doctor was in a situation where he was powerless to help, and his attempt to help only made it worse. I like episodes like this because we get a chance to see beneath the happy-go-lucky veneer the Doctor so often uses to hide his true nature, nomatter the incarnation.

So it goes with the cleverly titled “The God Complex”, which aptly describes the setting, the plot, and an unfortunate personality trait that has always been the Doctor’s worst failing. The episode deals with the latter aspect really well, as the Doctor ends up having ot humble himself before Amy in order to save her life, which is a sobering moment for them both. Matt Smith and Karen Gillan have always had a great chemistry in scenes like this, and the scene in last year’s season finale with the Doctor’s monologue to a sleeping Amy Pond to never forget him as he fades from existence.

I liked the setting of the episode, as the hotel was very reminiscent of the creepy hotel from The Shining. The characters that are trapped with the Doctor are all interesting in their own ways, especially Rita, with whom the Doctor flirts with the idea of picking up as a new companion. The Doctor and Rita’s interactions are great, especially the scene in which he laments on how guilty he feels about constantly exposing Amy and Rory to danger, then offers to take Rita traveling with him in the nearly the same breath. It really shows the reckless, impulsive nature of this particular incarnation of the Doctor, which I imagine will ultimately be his undoing whenever his number is up.

Overall, it was a very enjoyable episode, though it must be said, that the monster was kind of lame. There is a cool, throwaway classic Who reference regarding the monster at the end of the episode (that his species is related to the Nimons, a race of aliens that the 4th Doctor confronted in the episode “The Horns of the Nimon”), but other than that, it’s your average Doctor Who “Monster-of-the-week”. However, I do appreciate the effort to come up with new monsters besides the traditional stand-alongs, such as the Daleks or the Cybermen…

…speaking of which, the next episode I’ll be reviewing… Closing Time.

Friday, September 23, 2011

Doctor Who Review - Episode 6x10: The Girl Who Waited




Dialogue Triumphs

The Doctor: “Appalapachia, voted number two planet in the top ten greatest destinations for the discerning intergalactic traveler!”

Rory: “Why couldn’t we go to number one?”

The Doctor: “Tedious! Everyone goes to number one – planet of the coffee shops!”

***

Amy: “Have you seen my phone?”

The Doctor: “Your phone?”

Amy: “Yeah.”

The Doctor: “Your mobile telephone? I bring you to a paradise planet two billion light years from Earth, and you want to update… Twitter?”

***

Robot: “Will you be visiting long?”

Rory: “Good question, a bit sinister – what’s the answer that won’t get us killed?”

***

Old Amy: “In fact, now I think I can definitely say – I hate him. I hate the Doctor. I hate him more than I hated anyone in my life, and you can hear every word of this through those ridiculous glasses, can’t you Raggedy Man?”

The Doctor: “Ah… yes…”

***

Rory: “This is your fault.”

The Doctor: “I’m so sorry, but Rory…”

Rory: “No, this is your fault! You should look in a history book once in awhile, see if there’s an outbreak of plague or not!”

The Doctor: “That is not how I travel!”

Rory: “Then I do not want to travel with you!”

***

Old Amy: “Right, okay, so this is big news, temporal earthquake time, I’m officially changing my own future. Hold on to your spectacles. In my past, I saw my future self refuse to help you. I am now changing that future, and every law of time says that shouldn’t be possible.”

The Doctor: “Yes, except sometimes knowing your own future is what enables you to change it, especially if you’re bloody minded, contradictory, and completely unpredictable.”

Rory: “So basically if you’re Amy then.”

The Doctor: “Yes, if anyone can beat pre-destiny, it’s your wife.”

Dialogue Disasters

Old Amy: “Macarena.”

Young Amy: “Macarena.”

Rory: “She’s doing the Macarena.”

Double Entendres/Sexy Talk

Rory: “Can you stop flirting with me? You’re old enough to be my mo--!”

Old Amy: “I’ve known you my whole life. How many games of ‘Doctors and Nurses’?”

Rory: “Shush!”

Old Amy: “Don’t get coy now.”

Review

The Doctor takes Amy and Rory on a much needed vacation to a paradise planet called Appalappachia (I have NO idea if the spelling is correct). As is tradition whenever the Doctor tries to take a vacation, things go horribly awry. It turns out that, in the particular era that they happened to travel to, Appalappachia is in a state of massive quarantine due to a disease that only affects beings with two hearts (aka, The Doctor). The TARDIS lands in the quarantine center, which uses time pockets that allow loved ones to visit the infected and watch them live out their lives without risk of catching disease. Amy gets caught up in one such time pocket, forcing Rory and the Doctor to use the TARDIS to hone in on her time stream. However, by the time they arrive, roughly 36 years have gone by for Amy, who has grown into a bitter old woman, battle weary from all her years battling the medical robots who benignly try to inject her with medication, despite the fact that it would kill her. The Doctor and Rory want to save their Amy, still stuck in the past, but Old Amy won’t help them unless the Doctor agrees to take her along as well. With a risk of causing a paradox even the TARDIS can’t handle, it ultimately comes down to Rory to choose between his beautiful young wife or the older, battle scarred one.

Seems like an easy choice to me, but what do I know, I’m shallow.

This episode serves as a nice counterpoint to last season’s “Amy’s Choice”, which was about Amy having to decide between not only what man she truly loved, but between realities as well. After so many episodes of Amy and Rory pulling “run and scream” duty, it’s nice to see them featured in an episode, while the Doctor, who is forced to stay in the TARDIS to avoid disease that would kill him instantly, takes the backseat for a change. Don’t worry, though, the Doctor still has plenty of screen time to keep things interesting.

I had some issues with Karen Gillan’s performance in season five, but she has improved by leaps and bounds this season, especially in this episode. She was convincing as a bitter, older version of the Amy Pond we know and love. She also kicked ass with a samurai sword. I also enjoyed some of Rory and the Doctor’s back-and-forth, especially the more tense moments, such as the end, when the Doctor forces Rory to choose between both versions of his wife. There has always been a certain tension between the two characters, due to Rory’s mild jealousy of Amy’s open admiration for the Doctor (something that is dealt with nicely in the next episode…). It’s great to get to see Rory finally vent his frustrations a bit, and do it without wearing a Centurion uniform.

The setting of the episode was interesting, though somewhat reminiscent of the video game Portal. I liked that the “bad guys”, the med robots, were just simple automatons doing what they were programmed to do – apply medication to the sick. They were just too stupid to realize their meds would be fatal. It’s an original way to keep the episode moving along, and provide a baddy without really having one. Overall, the episode was good, with plenty of tender Rory/Amy moments to satisfy the fans.

Next week…oops, oh wait, I guess I mean, last week… The God Complex


Tuesday, September 6, 2011

Doctor Who Review 6x09 - "Night Terrors"




Dialogue Triumphs

Alex: “Now it’s got completely out of hand! I mean, he’s scared to death of everything.”

The Doctor: “Pantaphobia.”

Alex: “What?”

The Doctor: “That’s what it’s called, pantaphobia. Not the fear of pants, though, if that’s what you’re thinking, it’s the fear of everything… including pants, I suppose, in that case. Sorry, go on.”

Alex: “He hates clowns.”

The Doctor: “Understandable.”

***

Rory: “Argh.”

Amy: “What?”

Rory: “We’re dead aren’t we?”

Amy: “Eh?”

Rory: “The lift fell, and we’re dead.”

Amy: “Shut up.”

Rory: “We’re dead – again!”

***

The Doctor: “I’m not just a professional, I’m the Doctor.”

Alex: “What’s that supposed to mean?”

The Doctor: “It means I’ve come a long way to get here, Alex, a very long way. George sent a message, a distress call if you like. Whatever’s inside that cupboard is so terrible, so powerful, that it amplified the fears of an ordinary little boy across the barriers of time and space.”

Alex: “Eh?”

The Doctor: “Through crimson stars, and silent stars, and tumbling nebulas, like oceans set on fire; through empires of glass and civilizations of pure thought, and a whole terrible, wonderful universe of impossibilities. You see these eyes? They’re old eyes, and one thing I can tell you, Alex: monsters are real.”

Dialogue Disasters

N/A

Double Entendres/Sexy Talk

N/A

The Review

The Doctor responds to a message for help, sent by a seemingly normal little boy named George, who is convinced that monsters live in his cupboard. After splitting up to look for the boy, Amy and Rory get transported to a dark, foreboding house, where they are terrorized by life-size wooden dolls who have the ability to transform anyone they touch into giant dolls just like them. Meanwhile, the Doctor and George’s father, Alex, attempt to figure out the connection between a frightened little boy and the very real monsters in this closet.

This episode, written by actor/novelist Mark Gatiss (who also penned and starred in season three’s “The Lazarus Experiment”), is pretty standard Doctor Who, which, in a season full of episodes that have been set pieces to serve the seasonal arc, is actually quite refreshing. I often complain that Doctor Who doesn’t always have to be about saving the world, or even the universe, as the show is strong enough that it constantly grandstanding isn’t necessary. Neil Gaiman’s episode, “The Doctor’s Wife”, is a great example of what I’m talking about.

I will say that, apart from being mildly engaging, the episode wasn’t particularly memorable. Once again, Amy and Rory are on “run and scream” duty, meaning the writer didn’t know what else to do with them. For their credit, Karen Gillan and Arthur Darvill do their duties well, like good sports. Matt Smith is excellent, carrying the story forward and keeping it compelling, as one expects of the lead in Doctor Who. Other than that, there isn’t much to be said. It’s an episode that explores childhood fears and pumps the brake a little from the breakneck pace of the current season. Nuff said.

Next week... "The Girl Who Waited"


Sunday, August 28, 2011

Doctor Who Review - 6x08: Let's Kill Hitler




Dialogue Triumphs:

Hitler: “Thank you, whoever you are, I think you just saved my life.”

The Doctor: “Believe me, it was an accident.”

***

Hitler: “He was going to kill me!”

Rory: “Shut up, Hitler!”

***

The Doctor: “Mels… short for…”

Mel: “Melody.”

Amy: “I named my daughter after her.”

The Doctor: “You named your daughter… after your daughter.”

***

Melody: “Tip for you boys – never shoot a girl while she’s regenerating.”

***

TARDIS Voice Interface: “Your system has been contaminated by the poison of the Judas tree. You will be dead 32 minutes.”

The Doctor: “Okay, so, basically I better regenerate, that’s what you’re saying?”

TARDIS Voice Interface: “Regeneration has been disabled. You will dead in 32 minutes.”

The Doctor: “Unless I’m cured, yeah?”

TARDIS Voice Interface: “There is no cure. You will be dead in 32 minutes.”

The Doctor: “Why do you keep saying that?”

TARDIS Voice Interface: “Because you will be dead in 32 minutes.”

***

Melody: “You’re dying… and you stopped to change?”

The Doctor: “Oh, you should always waste time when you don’t have any! Time is not the boss of you!”

***

Carter: “Throughout history, many criminals have gone unpunished throughout their lifetimes. Time travel has many… responsibilities.”

The Doctor (laughs): “What? You got yourselves time travel, so you decided to punish dead people?”

Carter: “We don’t kill them. We extract them at the end of their established time lines.”

The Doctor: “And then what?”

Carter: “Give them Hell.”

***

Dialogue Disasters

Mel: “I need out of here now.”

The Doctor: “Anywhere in particular?”

Mel: “Let’s see, you got a time machine, I’ve got a gun. What the hell – let’s kill Hitler!”

***

The Doctor: “Sorry, did you say she killed the Doctor? The Doctor? Doctor Who?”

Double Entendres & Sexy Talk:

Rory: “Okay… okay… I’m trapped inside a giant, robot replica of my wife. I’ll try not to see this as a metaphor.”

The Review

You feel that cool breeze blowing, that’s smells slightly of potpourri, and sends an electric thrill down your spine? It’s not just the crisp winds of autumn – it’s the long awaited, much anticipated second half of Doctor Who finally being broadcast! Sorry if that opening was a bit corny for your tastes, but I’m excited, and that’s what happens when I’m excited (aside from dry heaves, loose bowels, and a tendency to giggle…).

Amy and Rory contact the Doctor, who has yet to find baby Melody. Before he can explain any further, their conversation is cut off by Amy’s best friend, the sassy, felonious Mel, who drives up in a stolen car, with the police not far behind in pursuit. She forces the Doctor to give her a ride in the TARDIS at gunpoint, during which, she misfires, hits the console, and the TARDIS crash lands in 1938 Berlin… right into Hitler’s office, no less. Meanwhile, a squad of time travelers, piloting a robotic human replica, happens to be on a mission to eliminate Hitler, but change their target after the Doctor’s sudden arrival. I dare not go into the rest of the story, as it involves quite the mind-bending twist that is best left for the viewer to experience in all its glory. Suffice it to say, the title is a bit misleading, as Hitler is featured for no more than maybe 5 whole minutes, before he takes a backseat, or in this case gets stuffed in a closet, and is never seen again for the duration of the episode. However, after viewing the episode twice, I’m hard pressed to think of a better title. Perhaps the writer found himself in a similar dilemma.

The episode is equal parts silly and dramatic, as only Doctor Who is capable of being. I mean, what other show on TV can feature miniature people hunting war criminals through time and space in a Meet Dave like robotic human spaceship, but also competently balance that out with emotionally poignant character development? That’s not to say that it was executed perfectly – personally, I believe that if the twist involving River Song were postponed until a later episode, it would have made a much more effective impact. Nonetheless, it’s still quite the shock, and at least serves to definitively answer a particular question regarding the rules of regeneration. Interesting seasonal plot advances notwithstanding, I do wish more had been made of the World War II setting, which became nothing more than a backdrop (just as Hitler became an unimportant side note after he’s locked away in a closet). I can’t help but feel like an opportunity for a really fun episode was wasted for the sake wedging in part of River’s origin story.

Performances were great, as they almost always are. Matt Smith is excellent, playing upo the goofy scenes with aplomb, while also playing the more serious scenes with the kind of subtlety we’ve come to expect from him (most notably when it becomes clear that he definitely knows about his impending doom). Karen Gillan and Arthur Darvill are relegated to “run and scream duty” through much of the episode, which is nothing unusual, but they are still amusing to watch, and the flashback scene of them pre-relationship is wonderful. Alex Kingston chews up the scenery with utter glee, but, considering the circumstances, it’s a delight to watch.


At the very least, the episode is fast paced, entertaining as hell, and will certainly accomplish the task of regaining one’s interest after it may have dulled from a long, summer hiatus. I have a feeling we’re in for a very satisfying sixth season of Doctor Who.

Next time... "Night Terrors"


Tuesday, June 7, 2011

Doctor Who Review - 6x07: A Good Man Goes to War


Dialogue Triumphs

Amy: “I wish I could tell you that you’d be loved; that you would be safe, and cared for, and protected. But this isn’t the time for lies. What you are going to be, Melody, is very, very brave, but not as brave as they will have to be, because there’s someone coming. I don’t know where he is, or what he’s doing, but trust me, he’s on his way. There is a man who is never going to let us down, and not even an army can get in the way. He’s the last of his kind. He looks young, but he’s lived for hundreds and hundreds of years. And where ever they take you, Melody, I promise you that you’ll never be alone, because this man is your father. He has a name, but the people of our world know him better as the Last Centurian.”

***

Rory: “The Doctor is getting some people together. We’re going after her, but he needs you too.”

River: “I can’t. Not yet anyway.”

Rory: “Sorry?”

River: “This is the Battle of Demon’s Run, the Doctor’s darkest hour. He’ll rise higher than ever before and then fall so much further, and I can’t be with him until the very end.”

Rory: “Why not?”

River: “Because this is it – this is the day he finds out who I am.”

***

Madame Kovarian: “We’ve been waiting a month now. He’s done nothing.”

Dominicus: “Do you really think so? There are people all over this galaxy that owe that man a debt. By now, a few of them have already found a blue box waiting for them on their doorstep, poor devils.”

Colonel Manton: “You think he’s raising an army?”

Dominicus: “You think he isn’t? If that man is finally collecting on his debts, God help you, and God help his debtors.”

Colonel Manton: “Why?”

Dominicus: “Colonel Manton, all those stories you’ve heard about him; they’re not stories, they’re true. Really, you’re not telling me you don’t know what’s coming.”

Colonel Manton: “We’re wasting our time here.”

Madame Kovarian: “Agreed.”

Dominicus: “The asteroid, where you’ve made your base – do you know why they call it ‘Demon’s Run’?”

Colonel Manton: “How do you know the location of our base?”

Dominicus: “You’re with the Headless Monks, they’re very old customers of mine.”

Madame Kovarian: “It’s just some old saying.”

Dominicus: “A very old saying, the oldest: demon’s run, when a good man goes to war.”

***

Colonel Manton: “He is not the devil. He is not a god. He is not a goblin, a phantom, or a trickster. The Doctor is a living, breathing man, and as I look around this room, I know one thing: we’re sure as hell going to fix that.”

***

Commander Strax: “Colonel Manton, you will give the order for your men to withdraw.”

The Doctor: “No, Colonel Manton, I want you to tell your men to run away.”

Colonel Manton: “What?”

The Doctor: “Those words, run away, I want you to be famous for those exact words. I want people to call you Colonel Run Away. I want children laughing outside your door because they found the house of Colonel Run Away, and when people come to you and ask if trying to get to me through the people I love is in anyway a good idea… I want you to tell them your name. Look, I’m angry, that’s new… I’m not really sure what’s going to happen right now.”

Madame Kovarian: “The anger of a good man is not a problem. Good men have too many rules.”

The Doctor: “Good men don’t need rules. Today is not the day to find out why I have so many.”

***

Madame Vastra: “Now, I have a question, a simple one: is Melody human?”

The Doctor: “Of course she is – completely human, what are you talking about?”

Dominicus: “They’ve been scanning her since she was born. I think they found what they were looking for.”

The Doctor: “Human DNA.”

Madame Vastra: “Look closer – human plus. Specifically, human plus Time Lord.”

***

***
The Doctor: “Why even do it? Even if you could get your hands on a brand new Time Lord, what for?”

Madame Vastra: “A weapon?”

The Doctor: “Why would a Time Lord be a weapon?”

Madame Vastra: “Well… they’ve seen you.”

The Doctor: “Me?”

***

Commander Strax: “Give her to me, human fools, she needs changing.”

Amy: “I just changed her. I think she might to feed.”

Commander Strax: “A feed? Of course. I’ll take care of everything.”

Rory: “Uh, I really don’t think you will actually.”

Commander Strax: “I have gene spliced myself for all nursing duties. I can produce magnificent quantities of lactic fluid.”

Madame Kovarian: “I see you’ve accessed our files. Do you understand yet? Oh, don’t worry, I’m a long way away, but I like to keep tabs on you. The child then – what do you think?”

The Doctor: “What is she?”

Madame Kovarian: “Hope – hope in this endless, bitter war.”

The Doctor: “What war? Against who?”

Madame Kovarian: “Against you, Doctor.”

***

The Doctor: “A child is not a weapon!”

Madame Kovarian: “Give us time. She can be. She will be.”

The Doctor: “Except you’ve already lost her, and I swear, I will never let you near her ever again.”

Madame Kovarian: “Oh Doctor, fooling you once was a joy, but fooling you twice, the same way - it’s a privilege.”

***

Commander Strax: “It’s strange… I’ve often dreamed of dying in combat… I’m not enjoying it as much as I’d hoped.”

***

River: “Well then, soldier, how goes the day?”

The Doctor: “Where the hell have you been? Every time you’ve asked, I’ve been there. Where the hell were you today?”

River: “I couldn’t have prevented this.”

The Doctor: “You could have tried!”

River: “And so, my love, could you.” (To Amy) “I know you’re not alright, but hold tight, Amy, you’re going to be.”

The Doctor: “You think I wanted this? I didn’t do this! This wasn’t me!”

River: “This was exactly you – all of this! All of it! You make them so afraid. When you began, all those years ago, sailing off to see the universe, did you ever think you’d became this? The man who could turn an army around at the mention of his name. Doctor, the word for healer, and wise man, throughout the universe. We got that word from you, you know, but if you carry on the way you are, what might that word come to mean? To the people of the Gamma Forests, the word doctor means ‘mighty warrior’ - how far you’ve come! And now they’ve taken a child, the child of your best friends, and they are going to turn her into a weapon just to bring you down, and all this, my love, in fear of you.”

The Doctor: “Who are you?”

River: “Oh, look, you’re caught, haven’t seen that in a very long while!”

The Doctor: “No, no, you tell me, tell me who you are.”

River: “I am telling you. Can’t you read?”

***

River: “It’s your daughter’s name, in the language of the Forests.”

Amy: “I know my daughter’s name.”

River: “Except they don’t have a word for ‘pond’, because the only water they have in the Forest is a river. The Doctor will find your daughter, and he will care for her, whatever it takes, and I know that. It’s me. I’m Melody – I’m your daughter.”

Dialogue Disasters

N/A

Double Entendre

The Doctor: “But she’s human! She’s Amy and Rory’s daughter!”

Madame Vastra: “You’ve told me about your people. They became what they did through prolonged exposure to the Time Vortex – the untempered schism.”

The Doctor: “Over billions of years, it didn’t just happen.”

Madame Vastra: “So how close is she? Can she even regenerate?”

The Doctor: “No, no, I don’t think so…”

Madame Vastra: “You don’t sound so sure.”

The Doctor: “Because I don’t understand how this happened!”

Madame Vastra: “Which leads me to ask: when did it happen?”

The Doctor: “When?”

Madame Vastra: “I am trying to be delicate; I know how you can blush. When did this baby… begin?”

The Doctor: “Well, how would I know, it’s all humany, private stuff, they don’t put up a balloon or anything!”

Madame Vastra: “Could the child have begun in flight on the TARDIS in the vortex?”

The Doctor: “No, no, impossible! It’s all… running about! Sexy, fish vampires, and blowing up stuff, and Rory wasn’t even there at the beginning, then he was dead, then he didn’t exist, then he was plastic, and I had to reboot the whole universe, long story, so technically, the first time they were in the TARDIS together in this version of reality was on their wuuuuh…”

Madame Vastra: “Their what?”

The Doctor: “…on their wedding night.”

The Review

In the mid-season finale, Amy Pond, and her newborn baby Melody, are imprisoned in a top secret military base called Demons Run where, as it turns out, Amy has actually been this entire season, while her Flesh doppelganger was travelling with the Doctor and Rory. The base is run by the mysterious “hatch lady”, actually named Madame Kovarian, and Colonel Manton, who is preparing his troops for the Doctor’s eventual reprisal for kidnapping Amy. Sure enough, the Doctor arrives to take down Demons Run, with a personal army of his own consisting of an eclectic group of people that owe him debts, including a Victorian Age, katana wielding, Sherlock Holmes-like Silurian named Madame Vastra; a disgraced Sontaran named Commander Strax, who is serving penance for past deeds as a nurse, by order of the Doctor; and a cunning, fat, blue merchant name Dominicus. A few more folks show up for the party, but I’ll keep them a surprise. After a quick melee, the Doctor manages to very quickly win the battle, but will he be able to win the war? I guess we won’t find out until Fall, in the next episode, rather hilariously titled “Let’s Kill Hitler”.

I don’t know what will hurt the most: waiting to see how this season ends, or waiting to see what an episode called “Let’s Kill Hitler” will possibly consist of. In the season premiere, I seem to remember briefly seeing the Doctor encountering Nazis, during his solo travels without Amy and Rory, before his fateful, lakeside demise at the hands of the mysterious astronaut, so I’m assuming that was a clip from the upcoming episode. Anyway, that’s neither here nor there.

“A Good Man Goes to War”, which was written by showrunner Stephen Moffat, definitely delivers very compelling entertainment, from beginning to end. I didn’t find the episode to be a show stopping, jaw dropping, mind bending, “game changer”, like Moffat hyped it up to be, but then again, he’s privy to how the rest of the season is going to go, so it’s possible we won’t fully realize the important of this episode until the actual season finale. I sure didn’t pick up on the significance of the Gangers until the last five minutes of “The Almost People”, and even the space pirates in “The Curse of the Black Spot” turned out to have a small, but satisfying, purpose in the overall season. So, maybe I need to just shut up and trust in Moffat. In fact, to those of you that have been reading this blog, how about one of you get some t-shirts printed up that say: “In Moffat, we trust”. Even though I was somewhat disappointed by the previous season, and felt the finale to be a bit of a mess, I have a feeling Moffat will eventually tie up all the loose ends so effectively, it’ll make all my reservations about his run thus far seem nitpicky and silly (which, I admit, they probably are).

I absolutely loved the gang of characters the Doctor rounds up for this battle, especially Madame Vastra, who was a particularly inspired creation. Her interactions with The Doctor are excellent, and I, for one, would love to see her more in future episodes as a recurring companion. I also really liked Commander Strax, as the idea of a Sontaran having to undergo the humiliation of being a nurse, which in their culture is a disgrace, was brilliant. I love when Doctor Who takes the time to point out that, although some alien races like the Daleks and the Cybermen are evil incarnate, the other alien races he sometimes clashes with aren’t all evil. This concept wasn’t explored until way back, during the Third Doctor’s era, when many of the stories involved misunderstanding the alien-monster-of-the-week’s intentions to be malicious when, in fact, it is actually very benign. I was even somewhat interested in the character of Lorna Bucket, a private in the army rallying against the Doctor, who joined up with the secret hopes of meeting the Doctor again after an encounter she had with him as a child. It almost seemed as if her character was being set up to be a possible future companion – she even had a memorable name: Lorna Bucket. I could already hear the Doctor saying her full name as a mild reprimand for doubting his ability to pilot the TARDIS. However, she ends up getting killed by the end of the episode, which I felt was kind of waste. Wouldn’t it be great if the Doctor picked up her up before she joins the army, and takes her traveling, knowing the grim future ahead of her? I think so.

The performances were great as always, particularly Matt Smith, as we get to see an angrier, darker side of his usually happy-go-lucky Doctor. Oh, the 11th Doctor has lost his temper here and there, but never seemed more menacing then in the scene where he tells Colonel Manton to order his army to run away. Alex Kingston is, as always, a very charismatic presence whenever she’s onscreen, and shines in this episode as, finally, an important revelation is revealed about her character. Arthur Darvill was fun to watch, but I have a minor complaint about his character: enough with the goofy Centurian outfit. We get it. Rory used to be a Roman. However, as I recall, wasn’t that in a different version of reality? After The Doctor rebooted the universe, and Amy “wished” everyone back into existence (blegh), shouldn’t Rory have come back sans the Centurian uniform? When he showed up in the outfit at the beginning of “The Christmas Carol”, it was already kind of a lame gag. Now it’s just getting ridiculous. I feel like Rory’s confrontation with the Cybermen at the beginning of this episode would have been much more intense if he were just in his normal clothing or, at the very least, in more practical battle gear that doesn’t make him look like he works at Caesar’s Palace. He explains the outfit to River as part of The Doctor’s strategy, which is look ridiculous to throw the enemy off. This is often why the Doctor dresses so flamboyantly – so this his enemies underestimate him, but also, he just has no fashion sense. The whole “Last Centurian” thing was great during “The Pandorica Opens” and the “The Big Bang”, but it’s over. Let’s have Rory Williams, nurse extraordinaire, back please.

Overall, I enjoyed “A Good Man Goes to War” very much, but I didn’t feel it was as awesome as it was touted to be. Let’s just face facts: this episode was only important because we find out who River actually is. Everything else is rather superficial. I mean, who is this group that kidnapped Amy in the first place? How could they have the resources, and technology, to kidnap her from under the nose of The Doctor? I assume Moffat will address all of this, and more, by the season’s end, but who knows? I’m only on Moffat’s case, though, because I think highly of his ability to write extremely compelling drama. I pretty much had Russell T. Davies’ strengths and weaknesses mapped out so well, that by the end of his run as Doctor Who showrunner, I was never much surprised by his episodes, which usually followed the formula: High Stakes + Inescapably Futile Scenario = Big Red Button Solution. What I’ve always liked about Moffat, is that he seems to write, like a good mystery writer, a perfectly logical, and clever, solution first, and then works outwards from there. He also seems to have a Master Plan for what he wants to do with the show, and the story he wants to tell. I think the only reason I have doubts is because I’m used to a Moffat story being encapsulated within just one or two episodes per season, not his story taking place over the span of not only one, but perhaps several seasons, before it reaches its conclusion. My point is, if they had aired “Blink” in ten minute increments, once per week, then I would probably watch it with the same mix of enjoyment and apprehension that the story will somehow lead to a deeply disappointing climax. Clearly, this season has been infinitely more thrilling, and interesting, than last season, but it’s going to take patience, and a certain amount of faith, that all of the subplots will be addressed, and that it will be an amazing experience to watch them unfold.

I’ll end this review by briefly listing the unresolved plot points from last season and this season that I hope will be resolved in the fall:

· Who, or what, was responsible for the TARDIS exploding last season, causing the cracks in time and space?

· Who are the Silence, what were they doing on Earth, and how are they involved with, presumably, turning young River Song into a weapon?

· Who was the astronaut that murdered the Doctor by the lake? Why did it kill the Doctor? And is the Doctor, or at least this incarnation, really dead, or was it all a trick? My theory: I think The Doctor used his ganger, from “The Almost People”, as a decoy to fool his enemies into thinking he was dead, so that he can get out from underneath his own legendary reputation.

· Who is Madame Kovarian, and what is her personal stake in taking down The Doctor? In fact, when, and how, was this coalition to destroy the Doctor put together?

Until next season, folks!

BTW – I will be reviewing Torchwood: Miracle Day on this blog when it airs, so stay tuned for that!